On “Virgin,” her fourth and latest album, Lorde examines the myths that make up her identity. This introspection comes after ...

Song of the summer” is a complex characterization—it’s not simply the most popular track of the season (that’s likely to be ...

In an era that rewards online authenticity, political leaders are becoming the new influencers-in-chief.

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• The focal point of parental anxiety • Mental-health care for those experiencing their worst fears • What The New Yorker was ...

With the “Big Beautiful Bill” in flux, and federal funds for gender-affirming care hanging in the balance, protections for ...

Daniel Immerwahr on “The Sirens’ Call,” by the MSNBC anchor Chris Hayes, and “Superbloom,” by Nicholas Carr, which consider the effect of social media such as TikTok.

She could sit on a bench in Europe completely unmolested, without a single human being saying a word to her, until the sun ...

As The New Yorker turns a hundred, we asked Zadie Smith, Jhumpa Lahiri, and Ottessa Moshfegh to compose new stories that were ...

In her new film, the actor, writer, and director charts the nonlinear course of a young woman’s recovery from assault.

Its ruling lets the President temporarily revoke birthright citizenship—and enforce other unconstitutional executive orders ...

A seventy-million-dollar renovation beautifully presents the museum’s non-Western art—even if doubts remain about whether all ...